in the events following april, i breathe thoughts to the wind, bearing sun,
bearing noise, and heavy in fogginess.
the crutch is always there for you, whatever it may be.
the person you'd first meet once you're sent to hell, an ailment of the malfunctioning brain, the living
room's light turned off at night, are all attributes of blame.
they are, therefore, i am.
and even if tomorrow-may, and they were never, you would still be a bore.
have you considered?
pacing the kitchen counter, dissecting the death penalty, filling cavities of a foul mouth,
feeling the touch of a hot stove, hissing tea water boiling in the kettle.
this is the conceptual, where only i, the character, understood the feelings by proxy, and the audience
is skimming a patchy image of what was intruding the mind when i felt it.
those who wail and retaliate when others jab them will live a fuller tale. you must make noises
if you want more out of life. you must be shameless enough to take if you want something so badly.
it did not happen to you, if it's any sense. passing of things is just is.
when the crutches come off, it will feel wrong but sit with it a while
and stretch your palms out only if it's something you'll cherish. pain is only worthwhile
if you endure it for an outcome.
you do not have to be the simmering frog.








